However she moves ...
Displayed in João Pedro Rodrigues Gallery, Oporto

An imaginarium, which emphasizes a relation between geometric and organic, between a certain order and chaos is developed within a fertile series of formal phenomenons that the material substance tends to legitimate.

It is imprinted an attitude, directly related to the utensils and nature of the used materials of a thought or work processes where the matter, time and physicality of the act itself foresee a lexicon to explore, based on the liquefaction, gravity and the resulting plastic effects.

To these researches, with morphological character, others should be added about the chromatic values inherent to the constitution of the matter itself; and regarding the transfers that the matter is subjected to, with its consequential records.

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